Examined in 2002 National academy of fine arts in Norway/Oslo
investigating how to redraw the spectator from here or his primarily position; looking at art, to: participate in art, and through this experience of physical activity, reach different levels of stored memory, that is captured in the body, rather than the mind. Through this, often playful activities, setting associations in motion and generate new energy.
Questions and experience from the relational performative activity Haugtrø pins down, expressed through drawing, sculpture and painting, political comments and poetic anecdotes coming together as a spatial experience.